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Well, I can’t really say I’m disappointed in my new Katrin Eismann book on restoration and retouching, but I sure could give her some new challenges. Everything in there looks like a piece of cake to me. 🙂 I picked up some new ideas, but I bet she’d develop some new techniques if she took a look at my pile of old pictures!
I’m working on one that dates from April, 1880. It’s described in one book I have as a "gem type" – a tiny tintype mounted behind a cardboard cutout. After almost 125 years of poor storage, the face of the tintype is scratched, and the cardboard is very fragile, yellowed, spotted (probably from mildew), and torn. The tintype itself is so dark you can barely make out the image.
I’ve managed to correct for most of this stuff in various ways, but I’ve wound up with an image that’s pretty "flat." Has anybody else worked on something like this and discovered any tools that will give back just a little bit of depth, or texture, or something?! I experimented with adding a little Noise. That helped, but I’m open for more suggestions.
I’m working on one that dates from April, 1880. It’s described in one book I have as a "gem type" – a tiny tintype mounted behind a cardboard cutout. After almost 125 years of poor storage, the face of the tintype is scratched, and the cardboard is very fragile, yellowed, spotted (probably from mildew), and torn. The tintype itself is so dark you can barely make out the image.
I’ve managed to correct for most of this stuff in various ways, but I’ve wound up with an image that’s pretty "flat." Has anybody else worked on something like this and discovered any tools that will give back just a little bit of depth, or texture, or something?! I experimented with adding a little Noise. That helped, but I’m open for more suggestions.
Master Retouching Hair
Learn how to rescue details, remove flyaways, add volume, and enhance the definition of hair in any photo. We break down every tool and technique in Photoshop to get picture-perfect hair, every time.