I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
Thanks
Geezer
#1
On Mon, 20 Mar 2006 18:33:15 GMT, geezer found these unused words floating about:
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
Thanks
Geezer
Select the area of concern and work with the curves tool.
#2
"J. A. Mc." wrote in message
On Mon, 20 Mar 2006 18:33:15 GMT, geezer found these
unused
words floating about:
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
Thanks
Geezer
Select the area of concern and work with the curves tool
couple of ideas:
use burn tool set on shadows, it will darken the pencil but leave the highlight (page) unchanged
selective color may give a good result, try changing the grey and black only
the curves tool will mess with the background as well as the pencil marks
#3
What I would do is select the area of handwriting and then go to IMAGE>ADJUST>THRESHOLD and play around with the slider to make it as legible as possible. This tool sets a point that has everything lighter as white and everything darker as black.
#5
On Mon, 20 Mar 2006 16:27:39 -0500, "KatWoman" found these unused words floating
about:
"J. A. Mc." wrote in message
On Mon, 20 Mar 2006 18:33:15 GMT, geezer found these
unused
words floating about:
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
Thanks
Geezer
Select the area of concern and work with the curves tool
couple of ideas:
use burn tool set on shadows, it will darken the pencil but leave the highlight (page) unchanged
selective color may give a good result, try changing the grey and black only
the curves tool will mess with the background as well as the pencil marks
We apparently have differing methods in using the curves ... I use multi-points and do this quite often for archival documents.
You only -=mess=- with the portion of the curve that contains the information.
#6
Select the area of concern and work with the curves tool.
Aw, keep it simple. Create a new layer and change blend-mode: multiply or pin-light is a good start.
#7
"2" wrote in message
Select the area of concern and work with the curves tool.
Aw, keep it simple. Create a new layer and change blend-mode: multiply or pin-light is a good start.
how do I love thee? Let me count the ways (to do this)
let us know what works best
#8
"geezer" wrote in message
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
Adding and tweaking a contrast layer can help get you in the ball-park with a minimum of effort.
#9
"geezer" ha scritto nel messaggio
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
you could try to cut and paste the hand writing on illustrator cs2 and use the track-live paint option, work on it, then repaste it to ps
#10
On Wed, 22 Mar 2006 14:27:01 +0100, "pepe"
wrote:
"geezer" ha scritto nel messaggio
I have a few old pictures with obscure penciled hand-writing on the borders. Is there a way that I can induce enhancement(s) to that area of the pictures so as to clarify the hand-writing? It is important.
you could try to cut and paste the hand writing on illustrator cs2 and use the track-live paint option, work on it, then repaste it to ps
I borrowed a copy of David Karlins' "How to Do Everything with Illustrator CS", to see what you are talking about. I don't find the subject 'track', 'live', 'track-live' or 'live paint'. Can you explain a little?
Thanks
Geezer
#11
In article wrote:
: On Wed, 22 Mar 2006 14:27:01 +0100, "pepe"
: wrote:
: I borrowed a copy of David Karlins' "How to Do Everything with : Illustrator CS", to see what you are talking about. I don't find the : subject 'track', 'live', 'track-live' or 'live paint'. Can you : explain a little?
I think the reference was to the "live trace" feature, which is new in CS2. While it is good for vectorizing images of hand-drawn stuff, including handwriting, it generally doesn't improve legibility. Indeed, the image almost always needs to be pre-processed in Photoshop (essentially improving the legibility far beyond what a human can figure out). I would say that in general live trace produces a *less* legible (but more flexible) result than the source image. There are knobs on the trace algorithm, but they are global in effect and generally are there to produce artistically pleasing results; you will undoubtedly need to play with the image as pixels on a more local basis to maximize the legibility.
Bob Miller
#12
On Wed, 22 Mar 2006 20:16:57 +0000 (UTC),
wrote:
In article wrote:
: On Wed, 22 Mar 2006 14:27:01 +0100, "pepe"
: wrote:
: I borrowed a copy of David Karlins' "How to Do Everything with : Illustrator CS", to see what you are talking about. I don't find the : subject 'track', 'live', 'track-live' or 'live paint'. Can you : explain a little?
I think the reference was to the "live trace" feature, which is new in CS2. While it is good for vectorizing images of hand-drawn stuff, including handwriting, it generally doesn't improve legibility. Indeed, the image almost always needs to be pre-processed in Photoshop (essentially improving the legibility far beyond what a human can figure out). I would say that in general live trace produces a *less* legible (but more flexible) result than the source image. There are knobs on the trace algorithm, but they are global in effect and generally are there to produce artistically pleasing results; you will undoubtedly need to play with the image as pixels on a more local basis to maximize the legibility.
Bob Miller
Thanks Bob
G
#13