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Is there a "rule of thumb" in the following three cases in order to achieve best results:
1. Scan to desired resolution or use maximum optical resolution, do all the processing and only then, as the last step, reduce resolution?
2. I read once that above strategy should be used for tonal range for optimum results e.g. scan at 48-bit depth for maximum tonal range, do the adjustments and then reduce to 24-bit.
3. This is really a subset of the above and relates to grayscale. Again, I read that it pays to scan B&W in color for the same reason – wider tonal range – and then, after processing, reduce to grayscale.
Any comments? TIA.
Don.
1. Scan to desired resolution or use maximum optical resolution, do all the processing and only then, as the last step, reduce resolution?
2. I read once that above strategy should be used for tonal range for optimum results e.g. scan at 48-bit depth for maximum tonal range, do the adjustments and then reduce to 24-bit.
3. This is really a subset of the above and relates to grayscale. Again, I read that it pays to scan B&W in color for the same reason – wider tonal range – and then, after processing, reduce to grayscale.
Any comments? TIA.
Don.
MacBook Pro 16” Mockups 🔥
– in 4 materials (clay versions included)
– 12 scenes
– 48 MacBook Pro 16″ mockups
– 6000 x 4500 px