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Most of the posts about CS are about activation, but I’d like to say a few words about the new features that are of interest to digital photographers. I’ve been using Photoshop since V4, including buying the V5, 5.5, 6 and 7 upgrades, and I think CS is the best upgrade ever for digital photography. Here are a few reasons why …
The Shadow/Highlight tool does an excellent job of plucking extra details out of the shadow areas, which is very useful if you’re scanning film, especially slides. The default settings are for backlit subjects that should have been shot with fill-flash and are overkill for most of my shots, but I changed the shadow ‘amount’ and ‘tonal width’ defaults to 25% (and usually modify them depending on the image) and see more subtle effects in the shadows. If you could build a very complex, subtle shadow mask and use curves to pull out the details without adding noise you’d be able to mimic what this tool does, but it does it effortlessly and it’s a very valuable additon to the digital toolbox, well worth the price of the upgrade I feel.
The RAW converter is now built-in and it’s so much better than the Canon crap I was using it’s not even funny. This is also a very worthy upgrade if you don’t have one of the expensive 3rd party converters.
CS now has much better 16 bit support, including layers, adjustment layers and adjustment layer masking. I know there’s debate about whether or not you need 16 bits (or at least Dan Margulis says you don’t), but if you want it you’ve got it.
To me, with the way I use Photoshop, these are the three top new features in CS. There are several other things that are also useful for digital photographers though, including a robust panorama stitching option, a "Photo Filter" that mimics various color correction filters like the 80, 81, 82 and 85 series, a histogram that’s always visible, the Color Replacement Tool for fixing red-eye or matching colors between files and a Filter > Blur > Lens Blur option that lets you play with various degrees of bokeh.
I work with four basic types of files, 6 Mpix digital camera tiffs and 4,000 dpi scans of 35 mm, 6×4.5 cm and 6×7 cm film. I set up some test suites to check CS vs V7 for speed and the V7 files running the same long actions took 175% to 270% longer to complete than the same tasks on CS, so CS is a good bit faster too.
Basically, it’s a great upgrade for me.
What about activation? All I had to do was open up my firewall once to let CS call the mothership and I was activated in seconds, then I disabled CS’s ability to access the net and it hasn’t asked for permission since. (There’s also an option to phone in for the activation number if you don’t want to go over the net even once). From what I understand activation looks for some unique ID number on your hard drive so when you open the ap it checks to see that you’re still using that same drive. I can see how this is a hassle if you change drives often but otherwise it’s not a big deal to me. I was able to activate on two computers without any problem.
If you have a valid serial number don’t let all the scare talk about activation keep you from this upgrade, it’s the best one yet.
Bill
(no, I do *not* work for Adobe 🙂
The Shadow/Highlight tool does an excellent job of plucking extra details out of the shadow areas, which is very useful if you’re scanning film, especially slides. The default settings are for backlit subjects that should have been shot with fill-flash and are overkill for most of my shots, but I changed the shadow ‘amount’ and ‘tonal width’ defaults to 25% (and usually modify them depending on the image) and see more subtle effects in the shadows. If you could build a very complex, subtle shadow mask and use curves to pull out the details without adding noise you’d be able to mimic what this tool does, but it does it effortlessly and it’s a very valuable additon to the digital toolbox, well worth the price of the upgrade I feel.
The RAW converter is now built-in and it’s so much better than the Canon crap I was using it’s not even funny. This is also a very worthy upgrade if you don’t have one of the expensive 3rd party converters.
CS now has much better 16 bit support, including layers, adjustment layers and adjustment layer masking. I know there’s debate about whether or not you need 16 bits (or at least Dan Margulis says you don’t), but if you want it you’ve got it.
To me, with the way I use Photoshop, these are the three top new features in CS. There are several other things that are also useful for digital photographers though, including a robust panorama stitching option, a "Photo Filter" that mimics various color correction filters like the 80, 81, 82 and 85 series, a histogram that’s always visible, the Color Replacement Tool for fixing red-eye or matching colors between files and a Filter > Blur > Lens Blur option that lets you play with various degrees of bokeh.
I work with four basic types of files, 6 Mpix digital camera tiffs and 4,000 dpi scans of 35 mm, 6×4.5 cm and 6×7 cm film. I set up some test suites to check CS vs V7 for speed and the V7 files running the same long actions took 175% to 270% longer to complete than the same tasks on CS, so CS is a good bit faster too.
Basically, it’s a great upgrade for me.
What about activation? All I had to do was open up my firewall once to let CS call the mothership and I was activated in seconds, then I disabled CS’s ability to access the net and it hasn’t asked for permission since. (There’s also an option to phone in for the activation number if you don’t want to go over the net even once). From what I understand activation looks for some unique ID number on your hard drive so when you open the ap it checks to see that you’re still using that same drive. I can see how this is a hassle if you change drives often but otherwise it’s not a big deal to me. I was able to activate on two computers without any problem.
If you have a valid serial number don’t let all the scare talk about activation keep you from this upgrade, it’s the best one yet.
Bill
(no, I do *not* work for Adobe 🙂
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