In article <BF3F1D2F.390CD%>, wright9
says…
On 9/2/05 11:10 PM, in article , "Hunt"
wrote:
In article <BF3DBB45.38E1B%>, wright9
says…
Does anyone have a technique for reducing a bright reflection on the eyeglasses of a portrait subject? I really don’t need or expect to eliminate the reflection entirely but would like to reduce it so that it
is
not so attention commanding. I am using PS CS2.
Chuck
Chuck,
As others have suggested, the Clone/Patch Tools will help, but shooting
with
these reflections in mind, is the best, as the detail below the highlights
is
usually missing. Another tip might be to do several shots without the
glasses,
so you will have images of the eyes. They do not have to match perfectly,
but
close matches will help. Some shooters go so far as to remove the lenses
from
the frames, but with the expense of some glasses, and the lack of time to
do
this, it should be a last resort.
Hunt
Hunt and others . . .
Thanks for the helpful suggestions. As a l-o-n-g time amateur photographer I know that I *should* have taken more care in composing the portraits. The suggestion of taking shots without the glasses so that I would have good images of the eyes to clone is a great suggestion. Using a polarizer is also a great suggestion. Unfortunately my portrait subjects were a very elderly couple, not very willing to spend much time posing, who are now over a thousand miles away – so I am stuck with some less than ideal shots that I am trying to make the best of!
To provide a little more information – my situation is that one subject has one-half of one eye obscured by the reflection. The other eye has acceptable detail. As you might guess my attempts to clone from a complete left eye to a partially obscured right eye have been considerably less than ideal. Thus my question about simply toning down the reflection. I had kind of hoped, perhaps in vain, that with so many Photoshop tricks in existence that there might be one for this situation.
Chuck
Chuck,
As Hecate states, where nothing exists, the only solution is to "paint/draw/ clone" it in. What might help a bit (reflection will STILL be there) is to do a Feathered Selection of the reflection (experiment with the Feather, and don’t hesitate to take the Selection into Quick Mask and run Gaussian Blur on it), then add an Adjustment Layer. Play with either Levels or Curves on this reflection. One thing to try is to reduce the contrast and move the white point, so that the reflection is grey. It’ll still be there, but not so prominent as before.
A device to move your flash above the lens axis will often help, as the light hitting the glass will reflect down and not back into the lens. If you’re using the flash on the camera, you cannot use this tip.
Hunt